Child care is an accessibility issue for galleries and museums, says Stephanie Nadeau, curator of public engagement at the Ottawa Art Gallery.
Libraries have adapted to people’s needs better than a lot of museums have, says Nancy Noble, new director of Atlantic Canada’s biggest art museum.
It likely all began with a single brick from Alberta. Now, The Witness Blanket is a huge installation built from 800-plus residential-school artifacts.
Two of Canada’s top artists—Geoffrey Farmer and Duane Linklater—have, perhaps unexpectedly for their fans, snagged a new 3-D printing grant.
Fans of internationally renowned Canadian comics artist Seth will be able to purchase some of his custom-designed fabric starting this month.
There’s discourse about art and motherhood, art and the Anthropocene, motherhood and climate change. In Edmonton this week, these topics finally intersect.
Can Montreal become home to “one of the most influential contemporary art biennials on the planet”? Partners in the Biennale de Montréal hope so.
Acclaimed Canadian artist Moyra Davey published her perennially relevant Mother Reader in 2001. Now, she reveals how motherhood continues to affect her art.