During the Second World War, millions of artworks and artifacts were stolen by the Nazis. Thousands of these ended up in Canada. Here is the story of one.

The recent Glenbow Museum exhibition “North of Ordinary” typecast Inuit as relics. The result was a harmful misrepresentation.

The historic collection’s Fredericton home gets an impressive redesign.

Rarely when looking at art do we consider the cost of materials. Sara Cwynar’s work broadens our understanding of artistic production.

The Vancouver Art Book Fair launches this week with a celebration of artists’s books from local, national and international publishers.

Alana Bartol’s Orphan Well Adoption Agency helps Canadians make an emotional connection to the energy industry—and some of its consequences.

Plus: Andrew Hunter is the Art Gallery of Guelph’s new senior curator and the Emerging Digital Artists Award announces its winner.

Artist or designer? Kara Hamilton—trained in architecture at UBC and in art at Yale—would rather be neither, or both.

Florence McGillivray studied under Matisse and mentored Tom Thomson. The origin story of Canadian Modernism might have ignored one of its major figures.

The 10th annual Creative Time Summit culminated in a Nuit Blanche display that centred around revolution—and, for this critic, actually kind of delivered.

ByDealers is what it sounds like: an auction house run largely by dealers themselves. First lots include Riopelle, Ferron, Mitchell and more.

Plus: a new Canadian auction house, drama at the AGO, Melanie Joly’s culture policy under fire, Rodney Graham inspires a line of coats and more.