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May we suggest

Vincent Meessen

Leonard and Bina Ellen Art Gallery, Montreal, November 17, 2018, to February 23, 2019

A Story as Old as Money

Photojournalist and artist Chris Donovan discusses his observations on industrial capitalism and poverty

A Feminist Diary

A Feminist Diary

So much feminist thinking tells us to be wary of visual pleasure. But for some artists, taking pleasure in the painted surface is as political as it is recuperative

Jordan Bennett

Jordan Bennett

Art Gallery of Nova Scotia, Halifax, December 1, 2018, to March 31, 2019

Who Will Win the Next Sobey Art Award?

Who Will Win the Next Sobey Art Award?

Nominations are now open, and must be received by March 1, 2019

newsletter

The Curtain Sweeps Down

The Curtain Sweeps Down

One of the best-selling novels in modern Turkey was published in 1950 under a male pseudonym. Here, the story of the young translator who kept her work secret for decades, but influenced a generation

On the Complexity of Cripping the Arts

On the Complexity of Cripping the Arts

It's time for inclusion to mean more than checking a box. A recent symposium showed why

Touch It

Touch It

When I stopped making clothes, I started exploring textiles in a different way

Lois Andison

Lois Andison

BMO Project Room, Toronto, January 16 to November 29, 2019

Canada Needs More Gender Parity in Arts, MPs Say

Canada Needs More Gender Parity in Arts, MPs Say

A new report recommends that the Department of Canadian Heritage tie federal funding for arts organizations to gender parity initiatives

Big Rock Candy Mountain

Big Rock Candy Mountain

Western Front, Vancouver, November 1 to December 15, 2018

videos

In the Studio with Kara Hamilton

Artist or designer? Kara Hamilton—trained in architecture at UBC and in art at Yale—would rather be neither, or both.

In the Studio with Kara Hamilton

Artist or designer? Kara Hamilton—trained in architecture at UBC and in art at Yale—would rather be neither, or both.

A Conversation with Brenda Draney

Viewing a Brenda Draney painting is like witnessing a dream. Here, the artist speaks about the role of small-town memory and mystery in her work

Inside Naomi Yasui’s Ceramics Studio

Toronto-based artist Naomi Yasui shows us inside her studio, and relays her most-valued piece advice: that you can’t be afraid of making bad work.

Inside Naomi Yasui’s Ceramics Studio

Toronto-based artist Naomi Yasui shows us inside her studio, and relays her most-valued piece advice: that you can’t be afraid of making bad work.

newsletter

Shuvinai Ashoona: Mapping Worlds

Shuvinai Ashoona: Mapping Worlds

The Power Plant, 231 Queens Quay West, Toronto ON
Editors' Pick

Walter Scott: Slipping On The Missing X

Walter Scott: Slipping On The Missing X

Macaulay & Co. Fine Art, 293 East 2nd Avenue, Vancouver BC
Editors' Pick

A Fine Pointed Belonging

A Fine Pointed Belonging

Modern Fuel Artist-Run Centre, 370 King Street W, Suite 305, Kingston ON

Channel 51: Igloolik – Celebrating 30 Years of Inuit Video Art

Channel 51: Igloolik – Celebrating 30 Years of Inuit Video Art

Esker Foundation, 1011 9th Avenue SE, 4th Floor, Calgary AB
Editors' Pick

Katherine Boyer: Water Meets Body

Katherine Boyer: Water Meets Body

Gallery 1C03, University of Winnipeg, 515 Portage Avenue, Winnipeg MB

Adad Hannah: Glints and Reflections

Adad Hannah: Glints and Reflections

Kamloops Art Gallery, 101-465 Victoria Street, Kamloops BC