Canadian Art

Essays / May 23, 2019

You Want Our Art but Not Our People

Dressed in regalia to support their kin at the 2019 Whitney Biennial opening, a group of NDNs experience art-world militarization first-hand

by Lindsay Nixon

Features / May 23, 2019

Outer Worlds

A new touring project of commissioned IMAX shorts pushes the boundaries of a medium usually reserved for commercial action cinema

by Jesse Cumming

Reviews / May 21, 2019

Kiinalik: These Sharp Tools

Qaggiavuut, Iqaluit, Nunavut

by Sandra Omik

Consignor’s Spring Auction Showcases Stunning Post-War and Historical Canadian Artwork

May 28 Auction features rare examples by Canada’s most iconic artists throughout history

Presented by Consignor Canadian Fine Art

Interviews / May 16, 2019

Conditions for Immersion

London-based artist Beatrice Gibson talks about motherhood, collectivity and process in her recent project I hope I'm Loud When I'm dead

by Yaniya Lee

news

News Roundup: Halifax Sculptor Wins Appeal against CRA, Artist Residency Launches at Eccentric Calgary Castle, and More

Maria Hupfield of Indigenous Womxn’s Collective Reflects on Impact of Whitney Biennial Action

News Roundup: A New Director for Toronto’s Big Art Fair, and More

Indigenous Artists Collaborate on New Opera about the Beothuk

New Graphic Novels Take On Motherhood and Postpartum Depression

Reviews / May 14, 2019

Chris Curreri

Daniel Faria Gallery, Toronto, April 18 to June 1, 2019

by Amy Fung

News / May 8, 2019

Zacharias Kunuk Speaks on Isuma’s Venice Biennale Project

“We plan to film live at our floe edge, from the ice and the sea, where hunters hunt seals, and broadcast halfway around the world to Venice”

by Leah Sandals

Features / April 22, 2019

Isuma Is a Cumulative Effort

How a collective continues the Inuit tradition of strength and innovation through new media

by asinnajaq ᐊᓯᓐᓇᐃᔭᖅ

Essays / May 6, 2019

Stories Not Told

Let’s honour Annie Pootoogook’s profound work, legacy and life. But let’s also talk about Inuit art as an industry, and who is left out of institutional reconciliation

by Lindsay Nixon

Interviews / May 1, 2019

The Freedom of Existing on the Edge

The influential American artist Carrie Mae Weems talks about museum collections, the art market, art criticism and Black creative practice

by Yaniya Lee

Features / May 13, 2019

Send and Receive

The converging shores of making and seeing, and the magic of moving hands

by Karin Kettler

current issue

SPACETIME

Scanning the cosmos for enduring bonds

videos

May 14, 2019

“I've always jumped from medium to medium,” says this influential Indigenous artist. She adds: “There was a lot of things that we had to do for survival. I’m just merely following the footsteps of the ancestors”

by Lindsay Nixon

February 28, 2019