In this interview, the National Gallery of Canada director and CEO says he never saw the Chagall deaccession controversy coming—and that the gallery is as transparent as it should be.

Paper sculptures, drawings on paper, prints and photographs—all are on view at Papier this week. Plus: Bharti Kher at DHC/ART and some artist-designed 4/20 gear.

Culture industries generate eight times the value of sports, study says. Plus: a new director for Nova Scotia’s arts funder, and fresh studios in Montreal.

The Russian-Ghanaian analog photographer takes an ethical approach to issues of representation and archive.

The list represents a wide range of artists—some well-known, and some not—that everybody should be paying attention to.

Canada’s National Gallery has issued a release that brings some clarity to its recent decisions around deaccessions and acquisitions. But is it enough?

In a career-spanning interview, the artist reflects on how her 1980s reshoots of fashion-magazine editorials have found a new audience in Canada and internationally.

The ROM’s “Here We Are Here” complicates simplistic notions of national identity.

An in-depth look at why public communication and engagement—or lack thereof—became a stumbling block for the National Gallery of Canada in its big Chagall sell-off.

Chief curator Paul Lang already departed the NGC in March. Plus: the Musée d’art contemporain de Montréal reveals its new look—and renewed aspirations.

The largest festival in North America for experimental and independent film, video and other time-based media—kicks off this week in Toronto.

Multiple breaking news stories suggest a Quebec church is the holder of the neoclassical canvas—and that the National Gallery is getting blowback from other museums.