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May we suggest

A Future That Has No History

Laure Prouvost and Jonas Staal talk about how they oversee, as artists and co-administrators, a universe of nipples, tentacles, plants, signs and other non-humans in their projects

Wet’suwet’en Strong

Who are the Indigenous artists on the front lines of the land defence and protest rallies for Wet’suwet’en?

Free Radicals

Free Radicals

The Centre for Experimental Art and Communication was both the darling and delinquent of the 1970s Toronto art scene

Marion Lessard

Marion Lessard

Cinematic conceits and narrative superstructures are thrown into constructive confusion in a new film installation by the Montreal artist and collective. Their exhibition, "Doublures," is on view at Dazibao through March 21

Art School 101

Art School 101

From our 11th annual School Guide, advice on how to get the most out of your art-school or art-learning experiences

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Trinity 3

Trinity 3

What do the timescales of nuclear radiation tell us about the militarization of land, and people?

Black Quantum Futurism

Black Quantum Futurism

During their solo exhibition at Vancouver's Western Front last fall, Camae Ayewa and Rasheedah Phillips's cross disciplinary approach drew on deeply entangled histories, elevating and echoing the voices and actions of prominent Afro-diasporic thinkers and artists

If the Body Is an Assembly, How Does It Assemble?

If the Body Is an Assembly, How Does It Assemble?

In a personal account, an artist, runner and scholar considers space and the everyday, in theory and creative practice

No More Words, Words, Words

No More Words, Words, Words

For both Hanne Darboven and Madeline Gins, a kind of personal mathematics became a method of reading and writing their art

Dark Matters
Art School 101

Art School 101

From our 11th annual School Guide, advice on how to get the most out of your art-school or art-learning experiences

videos

In the Studio with Jamiyla Lowe

"A lot of my work can be really silly," says Lowe, "even though it's a little bit dark sometimes, it's never heavy. If I'm spending so much time with something, I want it to make me feel good."

In the Studio with Jamiyla Lowe

"A lot of my work can be really silly," says Lowe, "even though it's a little bit dark sometimes, it's never heavy. If I'm spending so much time with something, I want it to make me feel good."

In the Studio with Aaron Jones

“There was a point when I just thought that taking photos didn’t make sense: there were enough images existing,” says the collage artist

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Christine Sun Kim

Christine Sun Kim

Architecture and Design Gallery, University of Toronto, 1 Spadina Cresent, Toronto ON
Editors' Pick

The Characters: Act II

The Characters: Act II

AKA Artist-Run, 424 20th Street West, Saskatoon SK
Editors' Pick

Sovereign Acts

Sovereign Acts

Kelowna Art Gallery, 1315 Water Street, Kelowna BC
Editors' Pick

A Big Heritage with A Glorious Past

A Big Heritage with A Glorious Past

Critical Distance, 180 Shaw Street, Suite 302, Toronto ON
Editors' Pick

When the Mountains Move

When the Mountains Move

articule, 262 Fairmount Avenue West, Montreal QC
Editors' Pick

Some kind of doctor receiving thunder

Some kind of doctor receiving thunder

Catriona Jeffries, 950 East Cordova, Vancouver BC
Editors' Pick