Skip to content

May we suggest

Reviews

A Sense of Scale

A Sense of Scale

Jim Adams’s recurring mythic subjects—from microcosmic to monumental—are on display in “Eternal Witness,” the first solo exhibition in Los Angeles for the artist, whose practice spans five decades

Porn and Privacy in Mia Sandhu’s “Golden Girls”

Porn and Privacy in Mia Sandhu’s “Golden Girls”

Based on images from the so-called Golden Age of Porn in the 1970s and ’80s, Sandhu's subtly sinister works on paper raise questions about whose bodies end up on display

Unrequited Love

Unrequited Love

In June Clark’s reconfigurations, the US flag and all it represents is broken into pieces

From 14-Storey Berry Freezer to Public Video-Art Venue

From 14-Storey Berry Freezer to Public Video-Art Venue

In August 2020, Sackville’s Owens Art Gallery, Struts Gallery and Faucet Centre, and Sappyfest held a queer-centred screening on a vast industrial “cube”

Roughing It in Toronto

Roughing It in Toronto

In his new book on Toronto art, Luis Jacob examines how colonialism and its erasures—along with hidden ravines and tangled gardens—have had a defining influence on the city’s creative ecology

Embracing the Uncertainty of the Earth with Jeneen Frei Njootli

Embracing the Uncertainty of the Earth with Jeneen Frei Njootli

In their latest solo show, Jeneen Frei Njootli spoke to the loving yet trying dependency that we, as Indigenous people, can have in connection to ancestral territories

How Amy Lam’s Make-Believe Bathroom Offers Real Relief

How Amy Lam’s Make-Believe Bathroom Offers Real Relief

This virtual artwork showed that, in the wake of the virus, the lack of will or public policy to make washrooms safe and accessible has exacerbated brutal discrepancies

On Syrus Marcus Ware’s Monuments to Trans Lives—and Brilliance

On Syrus Marcus Ware’s Monuments to Trans Lives—and Brilliance

A review of the luminous public art installation Radical Love

Zanis Waldheims

Zanis Waldheims

Geometric drawings and diagrams by a little-known artist raise questions about the relationship between exile and abstraction

Piece of Work

Piece of Work

Recent presentations of Amalia Ulman’s work at Arsenal Contemporary Art Montreal and Tate Modern raise questions about labour, art and the image