Artist Divya Mehra’s cover for our Spring 2018 issue uses a vintage kids’ show to poke fun at art-world taboos.
In this modified transcript of a talk given earlier this year, David Balzer considers settler-colonial kitsch and celebration, and how they can be undone.
In a sprawling video projection at the Vancouver Art Gallery, Howie Tsui explores the martial-arts genre that shaped him—and the city in which he was born.
Are the creative industries the world’s most hypocritical polluters?
In a year characterized by division and discord, culture had a choice—to retreat, or to explore startling forms of subjectivity and intimacy.
Our Winter 2017 issue is themed on “Futures.” How is our relationship with futurity changing? The short answer: we are living what’s next, now.
This Glace Bay–born artist made an international breakthrough while living in Berlin. Now, his weavings-cum-paintings show at Frieze London and Art Basel.
Many artists leave Canada to develop their practices. Our new Fall issue, out today, is all about them. But what are the politics of leaving—and staying?
Shannon Bool’s multiple, fraught ideas of beauty make her artwork Iman’s a top pick for editor-in-chief David Balzer at Canadian Art’s upcoming auction.
Chicago artist and urban planner Theaster Gates reflects on his remarkable new exhibition about the politics of remembering at the Art Gallery of Ontario.