Reviews
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
Azadeh Elmizadeh
The suite of paintings in “Subtle Bodies,” at Toronto’s Franz Kaka this fall, blended Sufi cosmologies, Persian miniatures, abstraction and light
Wendy, Master of Art
In the third instalment of Walter Scott's graphic novel series, Wendy goes to grad school where she has new responsibilities to her students, friends and lovers—but is she ready?
Owen V. Gordon
For his first solo exhibition in Canada, the Toronto artist presents a body of work that deals with a range of political, environmental and social concerns
The Chiffon Trenches
André Leon Talley spent most of his working life alone, “the only person of color in the upper echelons of fashion journalism.” His memoir offers glimpses of the costs of admission into the world of glamour
We Didn’t Grow From Nothing
The Toronto Palestine Film Festival's Local Pals Residency films recently screened at the plumb, all exploring kinship, land and the embodiment of memory
Brontez Purnell
In this project, the artist, writer, arthouse film director and frontman of the punk band The Younger Lovers exuded candid pathos and humour over Zoom
What Carries Us
At The Rooms, Newfoundland and Labrador’s Afro-diasporic histories challenged a provincial self-portraiture
Other Places
A new collection edited by Deanna Bowen reflects on under-recognized voices from Canadian media arts and the sovereignty of reclaiming one’s image
Dana Michel
With gestures of discovery, Michel asked, “How might I locate my sexual identity within a multitude of complementary and seemingly contradictory identities?”
A Sprawling New Anthology on Race, Art and Value
Saturation evokes visual intensity, sonic density and institutional perceptibility—all with the awareness that representation in cultural structures is not enough