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Reviews

Leftovers: Topographies of Chance

Leftovers: Topographies of Chance

Trapp Projects, Vancouver, February 28 to April 6, 2019

Emperors and Jewels: Treasures of the Indian Courts from the al-Sabah Collection, Kuwait
Towards an African Canadian Art History: Art, Memory, and Resistance

Towards an African Canadian Art History: Art, Memory, and Resistance

Published by Captus Press in 2018. Charmaine A. Nelson, et.al. (Ed.) 400 pp. $64.75.

Sherry Walchuk

Sherry Walchuk

CIRCA Art Actuel, Montreal, March 16 to April 27, 2019

Revisor

Revisor

Created by Crystal Pite and Jonathon Young; produced by Kidd Pivot

Ann Beam and Carl Beam

Ann Beam and Carl Beam

SFU Gallery, Burnaby, January 15 to June 20, 2019

Cultivating Collectivity

Cultivating Collectivity

Can art make a case, legally, for Indigenous sovereignty over threatened waters? A Vancouver exhibition looks at the parallels between cultural histories and public protest for a First Nations community in coastal BC

VALIE EXPORT

VALIE EXPORT

VOX, Centre de l'image contemporaine, Montreal, February 15 to April 27, 2019

Rodney Graham

Rodney Graham

303 Gallery, New York, January 11 to February 23, 2019

Khan Lee

Khan Lee

Republic Gallery, Vancouver, February 14 to March 23, 2019

From the Archive

Divya Mehra Undoes White on White

Divya Mehra Undoes White on White

“You have to tell Them, I’m not a Racist.” desecrates the white cube with gleeful impunity.

Trouble Me Venice: An Indigenous Curator’s View of the Biennale

Trouble Me Venice: An Indigenous Curator’s View of the Biennale

Ryan Rice was part of an international delegation of Indigenous curators at Venice's preview week. Here are some of the triumphs and troubles he saw.

Rosalyn Drexler: Who Does She Think She Is?

Rosalyn Drexler: Who Does She Think She Is?

Rosalyn Drexler, the proto-feminist painter, sculptor, playwright, novelist and former lady wrester, is criminally unknown. A new show aims to change this.