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Reviews

Marie Lannoo

Marie Lannoo

Goethe believed that colour is a meeting of darkness and light, a joining of opposites that together form our visual and emotional experience of colour. The mysteries of colour and light became henceforth the obsession of 19th-century artists and an inspiration for almost every modern movement in painting.

Diane Morin/Nelly-Eve Rajotte

Diane Morin/Nelly-Eve Rajotte

The exhibition “Effleurements,” curated by Nicole Gingras, featured multimedia works by the Montreal artists Diane Morin and Nelly-Eve Rajotte, who both employ light, movement and sound in their art.

Evan Lee

Evan Lee

In his exhibition “Drawn from Memory,” Evan Lee, in a departure from his forays into photographic experiments and still life, takes up subject matter drawn from the everyday. Whereas his previous work often played with double meanings in a somewhat surreal, paranoid-critical way, here Lee favours a direct representation of his subjects.

Simon Starling

Simon Starling

Simon Starling’s exhibition “Cuttings (Supplement),” at The Power Plant, is part of an ongoing dialogue between artist and gallery that draws on several years of mutual support. (The Power Plant helped realize his 2005 show “Cuttings” at the Museum für Gegenwartskunst in Basel.)

Francine Savard

Francine Savard

On late-winter afternoons, daylight casts a shadowy industrial grid across the white walls and mottled cement floor of Diaz Contemporary’s main space.

Neil Wedman

Neil Wedman

Neil Wedman’s exhibition “Untitled Flying Saucer Monochromes,” curated by Steven Tong, consists of five elegant, pearl-grey monochrome paintings and a smart accompanying essay by Jessie Caryl.

Terence Koh

Terence Koh

“Is this man the next Warhol?” screamed the headline on the cover of the German art magazine Monopol. It was accompanied by a photograph of the New York–based Chinese-Canadian artist Terence Koh.

Yann Pocreau

Yann Pocreau

Yann Pocreau is interested in architecture’s latent content, narrative potential and dormant histories. He envisions his work as a dialogue with the nature of the spaces he photographs.

Kristan Horton

Kristan Horton

In April 2008, Kristan Horton presented his first solo exhibition in New York, at the downtown gallery White Columns.

Shirley Wiitasalo

Shirley Wiitasalo

Many would agree that the evolution of colour-field painting was partly indebted to the invention of acrylic paint.