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Reviews

Francine Savard

Francine Savard

On late-winter afternoons, daylight casts a shadowy industrial grid across the white walls and mottled cement floor of Diaz Contemporary’s main space.

Neil Wedman

Neil Wedman

Neil Wedman’s exhibition “Untitled Flying Saucer Monochromes,” curated by Steven Tong, consists of five elegant, pearl-grey monochrome paintings and a smart accompanying essay by Jessie Caryl.

Terence Koh

Terence Koh

“Is this man the next Warhol?” screamed the headline on the cover of the German art magazine Monopol. It was accompanied by a photograph of the New York–based Chinese-Canadian artist Terence Koh.

Yann Pocreau

Yann Pocreau

Yann Pocreau is interested in architecture’s latent content, narrative potential and dormant histories. He envisions his work as a dialogue with the nature of the spaces he photographs.

Kristan Horton

Kristan Horton

In April 2008, Kristan Horton presented his first solo exhibition in New York, at the downtown gallery White Columns.

Shirley Wiitasalo

Shirley Wiitasalo

Many would agree that the evolution of colour-field painting was partly indebted to the invention of acrylic paint.

Jennifer Marman and Daniel Borins

Jennifer Marman and Daniel Borins

Wha Happened?”—finally, an exhibition that questioned the very essence of exhibition-making, a double entendre of exposure intentionally produced by artists in an artist-run centre.

Patrick Bernatchez

Patrick Bernatchez

A man sits alone in his car at night, eating a hamburger and then casually smoking a cigarette as the camera slowly and gracefully travels around the vehicle.

Martin Golland

Martin Golland

For magicians and illusionists, mentalism refers to a type of trick that relies on the power of suggestion.

Sorel Cohen

Sorel Cohen

Sorel Cohen’s recent exhibition returns to a subject she explored in her 2003 show at the Centre culturel canadien in Paris: the psychoanalyst’s couch.