Reviews
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
Laurel Smith
Laurel Smith’s paintings question excess, finding parallels between our contemporary society of overabundance and the 18th-century rococo style.
Dave Dyment
As a teenager, I often listened to a stereophonic-effects record whose first words were “This is a journey into sound.”
Peter Kingstone
Peter Kingstone’s latest project finesses the Toronto artist’s long-standing fascination with the place where autobiographical fact ends and narrative fiction begins.
theanyspacewhatever: Collapsing Institutional Spaces, or Having Fun Trying
Relational aesthetics is an ever-more-popular aspect of art festivals and shows across Canada. Now the trend is given international perspective in “theanyspacewhatever,” a wacky assemblage of sculpture, installation and video at New York’s Guggenheim.
Jean-Paul Jérôme in Review: Hard-Edge Heaven
Montrealer Jean-Paul Jérôme was a reclusive, solitary artist, often overshadowed on the scene by his brasher, younger counterparts. But as a recent exhibition showed, his mastery of shape and colour deserves renewed recognition.
James Lahey in Review: Imperfect History
James Lahey's skull paintings offer a meditation on life and death, but may also draw the viewer into an obsessive questioning. At his spring 2008 show in London, phrases inscribed into steel reinforced the philosophical effect.
The Big Gift in Review: Homefront Helpfulness
Jeff Spalding has kickstarted an art-appreciation movement in Calgary with “The Big Gift” and its display of hundreds of recent donations. At a time when the federal government has axed millions of dollars from the arts, it’s a great example of homefront support.
Québec Triennial
The new Québec Triennial occupies the entire Musée d’art contemporain de Montréal and reaches across differences in medium, language, age and gender to get at the strongest aesthetic currents in the province. And currently, as a province, we look rather like Duchamp on crack.
Andrew Rucklidge
Most abstract expressionists are landscape painters, and this affiliation is not as restrictive or tricky as many of the former would have us believe. The Toronto artist Andrew Rucklidge embraces both designations.
Marie Lannoo
Goethe believed that colour is a meeting of darkness and light, a joining of opposites that together form our visual and emotional experience of colour. The mysteries of colour and light became henceforth the obsession of 19th-century artists and an inspiration for almost every modern movement in painting.