Skip to content

May we suggest

Reviews

Tim Scott

Tim Scott

Tim Scott doesn’t tell stories with his sculpture—he makes poetry. Whether it’s vibrant sheets of coloured acrylic or slabs of unglazed clay, Scott lets the medium speak first.

Alexandra Flood

Alexandra Flood

The exhibition “Tableaux” represents eight years of work by Alexandra Flood, a New Brunswick artist known as a fine painter of curious subjects: hair, animal tails and, of late, nautical figureheads.

Lisa Lipton

Lisa Lipton

The hills are alive with the sound of global warming in Lisa Lipton’s multimedia installation High on a Hill, in which two alpine yodellers find their mountaintop love affair aborted when the snowy peaks are overtaken by tropical plants.

Matthew Eskuche in Review: Fast Food Aesthetics

Matthew Eskuche in Review: Fast Food Aesthetics

In “Dollar Menu: A Fast Food Aesthetic,” Pittsburgh-based glass artist Matthew Eskuche elevates glasswork—a medium traditionally considered as craft—to a platform for consumerist critique.

Jin-me Yoon: Passages through Phantasmagoria

Jin-me Yoon: Passages through Phantasmagoria

Where is home in an increasingly global world? Do we have to choose one home, or can there be many? Vancouver-based artist Jin-me Yoon investigates pressing questions of nationhood and belonging in her latest series of performance and video works at the Canadian Cultural Centre in Paris.

Deborah Margo: Sweet Stuff

Deborah Margo: Sweet Stuff

The results of the most recent RBC Painting Competition seem to signal a return to process painting, and particularly the kind associated with 1970s Post-Minimalism. Ottawa-based artist Deborah Margo’s work is among the more interesting branches of this vein, and her solo exhibition at Patrick Mikhail Gallery takes a provocative new direction.

Actions in Review: Re-Humanizing the City

Actions in Review: Re-Humanizing the City

With their current group show “Actions: What You Can Do With the City,” the Canadian Centre for Architecture shifts its focus from major building projects to architectural interventions on a human scale, exploring how ordinary people can reclaim their communities.

Dominique Gonzalez-Foerster: Back to the Future, or A Cautionary Tale

Dominique Gonzalez-Foerster: Back to the Future, or A Cautionary Tale

Last week Tate announced that Polish sculptor Miroslaw Balka will be the next artist using the massive Turbine Hall. Whether he’ll be able to outdo the current, sci-fi flavoured installation by French artist Dominique Gonzalez-Foerster is an open question.

Lyndal Osborne: Delectable Decay

Lyndal Osborne: Delectable Decay

“Ornamenta” is Lyndal Osborne’s magnificent cross-Canada compost pile. Travelling this year to Penticton, Edmonton, Moose Jaw and Medicine Hat, Osborne’s vegetative installation is both playful and thought-provoking.

Thomas Demand: Mom, Apple Pie and the Oval Office

Thomas Demand: Mom, Apple Pie and the Oval Office

From JFK at his desk in Life Magazine to blog speculation over Barack Obama’s decorative tastes, there are few better representations of a conflicted sense of history, power and celebrity than the Oval Office. A new UK exhibition by German artist Thomas Demand deconstructs the meaning of this cultural monolith.