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Tess Edmonson

Tess Edmonson’s is writing has appeared in Texte zur Kunst, art-agenda, Flash Art, Afterall, Frieze, Rhizome, Art Papers, PIN–UP and C Magazine. She is the recipient of a 2019 Creative Capital Andy Warhol Foundation Arts Writers Grant. She is managing editor at Canadian Art.
The Angel’s Share

The Angel’s Share

Rae Johnson‘s angels catalogue the passage of a body through time

How Amy Lam’s Make-Believe Bathroom Offers Real Relief

How Amy Lam’s Make-Believe Bathroom Offers Real Relief

This virtual artwork showed that, in the wake of the virus, the lack of will or public policy to make washrooms safe and accessible has exacerbated brutal discrepancies

Life of Objects

Life of Objects

Liz Magor speaks about her landmark installation, One Bedroom Apartment, and our relationships to the objects we live with

Eric Mack

Eric Mack

Scrap Metal Gallery, Toronto, September 19, 2019, to January 25, 2020

DIS Placed: Q&A with the Curators of the Berlin Biennale

DIS Placed: Q&A with the Curators of the Berlin Biennale

"People constantly repeat the cliche that Berlin is over, but it's only just begun." Canadian writer Tess Edmonson talks with Berlin Biennale curators DIS.

Tomorrow Gallery’s Tara Downs on Exhibiting a New Generation of Berlin and New York Artists in Toronto
Taryn Simon’s MoMA Show Sets Photography Versus Reality

Taryn Simon’s MoMA Show Sets Photography Versus Reality

Museum of Modern Art, New York May 2 to September 3, 2012

Found in Translation: Missing Links

Found in Translation: Missing Links

The typical take on translation favours something more lost than found. But as Tess Edmonson reports, the Deutsche Guggenheim’s recent show on translation showed it to be productive and positive for culture and language.

Le Mois de la Photo à Montréal

Le Mois de la Photo à Montréal

Le Mois de la Photo à Montréal

Young-Hae Chang Heavy Industries: There Are No Problems in Art

Young-Hae Chang Heavy Industries: There Are No Problems in Art

The gentrification of Vancouver’s Downtown Eastside—and local curatorial strategies of addressing it—recently provided conceptual and satirical fodder for Seoul art duo Young Hae-Chang Heavy Industries. Here, Tess Edmonson reviews some of the resulting works.

Aganetha Dyck: A Hive of Activity

Aganetha Dyck: A Hive of Activity

Aganetha Dyck has made work with honeybees a hallmark of her multidisciplinary career, which encompasses sculpture, drawing and photography. In this interview with Tess Edmonson, Dyck discusses her current show at Confederation Centre Art Gallery, which literally brings her co-workers into the gallery space.

Lyla Rye: A Platform for Ideas

Lyla Rye: A Platform for Ideas

Lyla Rye’s newest work is a lyrical homage to a renovated foundry, its “stage” a sleek, low platform that moves softly back and forth as viewers step on it. Tess Edmonson reviews, finding industrial materials made elegant.

General Idea: AA Bronson Talks Haute Culture

General Idea: AA Bronson Talks Haute Culture

The first major retrospective of General Idea, “Haute Culture,” opens in Toronto this Friday following spring praise in Paris. Find out more about the show’s behind-the-scenes evolution as AA Bronson chats with Tess Edmonson.

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