Following her Sobey win, a conversation with Kapwani Kiwanga on audiences, critique strategies and when critics get it wrong
In her new Quebec exhibition, Kapwani Kiwanga asks viewers to return soil from where it was taken—a “gesture of reparation,” the curator calls it. But what is the work really doing?
Spoiler alert: you won’t. But Nadia Gohar’s exhibition “Foundation Deposits” makes an earnest attempt