Everybody reads a given exhibition differently, and half the enjoyment in art comes from exploring those different points of view. Here, Canada's leading and emerging art writers respond to must-discuss exhibitions taking place across the country and overseas.
In “Under the Rose Arch,” Dominique Rey documents an order of Catholic nuns facing the threat of extinction in a manner closer to veneration than elegy.
Okwui Enwezor’s “All the World’s Futures” at the Venice Biennale offers an alternative to the market-oriented, media-darling art world of the past decade.
At the Esker Foundation, Corinne Thiessen’s collapsing trees underscore our reliance on natural resources and the devastating effects of this dependency.