Everybody reads a given exhibition differently, and half the enjoyment in art comes from exploring those different points of view. Here, Canada's leading and emerging art writers respond to must-discuss exhibitions taking place across the country and overseas.
“The overall effect was something akin to Wayne Newton getting a makeover from the Hilarious House of Frightenstein, as scored by Duran Duran.”
Through her recent performances and installations, Winnipeg artist Sarah Anne Johnson pays homage to her grandmother, who suffered from PPD—and much worse.
A Toronto exhibition—travelling soon to Vancouver—critiques the emphasis that most humans place on sight, to the detriment of other senses.
The North American premiere of Ragnar Kjartansson’s “opera without divas” happened in Montreal this week. Here, a Polaris Prize juror offers his take.
“Showroom”—framed as a survey of Toronto artists—is a monocultural show that fails to account for the city’s diversity, writes Gabrielle Moser.