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Reviews

Luc Tuymans

Luc Tuymans

As part of a recent spell of Luc Tuymans fever in Antwerp, Zeno X Gallery presented an exhibition of the artist’s new watercolour works on paper. The series The Spiritual Exercises investigates one of Belgium’s “ghosts,” the Jesuit order.

Faux Naturel

Faux Naturel

The natural world is a source of endless delight—if you don’t have to go outdoors to enjoy it. Having grown up in rural Canada, I harbour no sentimental feelings toward Mother Nature or her alleged charms.

Laurel Woodcock

Laurel Woodcock

Encountering Laurel Woodcock’s walkthrough wall texts at the Banff Centre was akin to seeing fragments of an invisible narrative surfacing from the surrounding architecture. The artist selected excerpts of dialogue and stage direction from movie scripts, fashioned the words in adhesive lettering and installed them onto interior walls and doors.

Owen Kydd

Owen Kydd

CSA Space, Vancouver

Annie MacDonell

Annie MacDonell

At the back of the darkened room, you see a projection: a drunk, well-dressed man falls down a staircase, hits bottom and then rolls back up to the top again. It is found footage caricaturing Sir Henry Pellatt, the original owner of Toronto’s Casa Loma, and its tragicomic spirit fills the room.

Neo Rauch

Neo Rauch

The art of Neo Rauch makes you feel at one with your inner spaniel. It makes you tilt your head, cock your ear and think, “I hear what you’re saying, but I am at once dumbfounded and elated by the incomprehensibility of your words.”

Rearrangements

Rearrangements

Sculpture, performance and photography found fusion in the exhibition “Rearrangements” at Gallery 44. Katy McCormick’s astute curation bridged aesthetic, geographical and generational divides, pairing the wall assemblages of Victoria’s Lynda Gammon with the Stacked Hotel Room photographs and videos of the British duo Sonya Hanney and Adam Dade.

Gordon Smith

Gordon Smith

Equinox Gallery, Vancouver

Pierre Huyghe

Pierre Huyghe

“Celebration Park,” Pierre Huyghe’s first solo exhibition in Britain, might have worked better if it had switched entrance facades with the Kandinsky exhibition that was showing concurrently at Tate Modern.

Reece Terris

Reece Terris

Bridge (Wooden Arch), by the Vancouver artist Reece Terris, is exactly that—a bridge between the artist’s back porch and a neighbour’s. The work, sponsored by Presentation House Gallery, spans the gap between Terris the artist and Terris the contractor and defies artificial boundaries: between properties, between “yours” and “mine.”

From the Archive

Divya Mehra Undoes White on White

Divya Mehra Undoes White on White

“You have to tell Them, I’m not a Racist.” desecrates the white cube with gleeful impunity.

Trouble Me Venice: An Indigenous Curator’s View of the Biennale

Trouble Me Venice: An Indigenous Curator’s View of the Biennale

Ryan Rice was part of an international delegation of Indigenous curators at Venice's preview week. Here are some of the triumphs and troubles he saw.

Rosalyn Drexler: Who Does She Think She Is?

Rosalyn Drexler: Who Does She Think She Is?

Rosalyn Drexler, the proto-feminist painter, sculptor, playwright, novelist and former lady wrester, is criminally unknown. A new show aims to change this.