Reviews
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
Re-Enactments: Rediscovering the Collective Past
The DHC/Art Foundation’s latest exhibition Re-Enactments boldly suggests that we have reached an era where new ideas can only arise through a rediscovery of the past.
“Signals in the Dark”: Reviewing Art in the Shadows of War
In this review of “Signals in the Dark: Art in the Shadows of War,” writer Ashley Johnson notes that while “it’s questionable how effective art can be in changing public perception of war, but it’s important to continually challenge the military mindset,” as he believes is the case in this “extraordinary” exhibition.
Roy Arden
Roy Arden has gained international recognition for his creation of a particularly trenchant brand of photo imagery.
Derek Sullivan
Nine pictures by Derek Sullivan hang on the wall.
Thomas Hirschhorn
For nearly two decades, the Swiss artist Thomas Hirschhorn has been filling art spaces and annexing pedestrian sites with what he likes to call “displays.”
Mark Ruwedel
The history of the settlement of the United States and Canada is psychologically invested with colonial ambitions—to penetrate a fertile wilderness that lies beyond settled borders.
Le Mois de la Photo à Montréal
Last October, Le Mois de la Photo à Montréal celebrated its 10th incarnation with an openingnight bash in the recently renovated Video Rooms, located in the working-class neighbourhood of Saint-Henri.
Jude Griebel
Folk tales, memories and Lewis Carroll inhabit the mind of Jude Griebel.
Vik Muniz
Warhol’s idea that a copy of a copy is an original is one of Vik Muniz’s most powerful propositions.
Sue Lloyd
Unravelling the threads of meaning in the 13 images that constitute Sue Lloyd’s newest body of digital work, “VOID,” resembles the impossible task of reading for univocal meaning in Virginia Woolf ’s experimental novels.