Skip to content

May we suggest

Features

No More Words, Words, Words

No More Words, Words, Words

For both Hanne Darboven and Madeline Gins, a kind of personal mathematics became a method of reading and writing their art

An Alchemy of Remains

An Alchemy of Remains

Azza El Siddique’s sensory environments are part scientific process, part aesthetic ecosystem

Core Desires, Counter Prospects

Core Desires, Counter Prospects

New Mineral Collective finds alternatives to mining, through pleasure and passive resistance

What to See in 2020

What to See in 2020

We’re starting a new year and a new decade—here are just some of the upcoming exhibitions, biennials and projects on our must-see lists

Searching for the Language of the Universe

Searching for the Language of the Universe

What happens when physicists and artists collaborate on some of science’s biggest questions? A unique project reveals surprising affinities

Three Takes on Cindy Sherman

Three Takes on Cindy Sherman

Artists and art historians reflect on works from Sherman’s retrospective at the Vancouver Art Gallery

A Black Curator Is Never Just a Curator

A Black Curator Is Never Just a Curator

The Black Curators Forum, the first of its kind in Canada, was a safe space for serious discussion about structural change—and it was also fun

Bending the Light

Bending the Light

A national survey of 10 artists who are reforming material practice

The Politics of Sensing

The Politics of Sensing

A two-part exhibition at the Blackwood Gallery reflects on how we collect information about the world, through both the senses and technology

“Àbadakone” Creates Community

“Àbadakone” Creates Community

When Indigenous artists gathered at the National Gallery of Canada, something significant happened