Features
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
An Extremely Steep Learning Curve
Indigenous art students share how they are navigating the pandemic
Victoria Anderson-Gardner Wins 2020 Glenn Gould Protégé Prize
The emerging Indigenous filmmaker reflects on their craft and what it means to them to have been selected
Unrequited Love
In June Clark’s reconfigurations, the US flag and all it represents is broken into pieces
A Topography of Free
A Toronto installation artist accumulates materials for her found-object sculptures by navigating neighbourhood free piles and scouring curbside detritus
Red Dust and Black Clay
For communities committed to abolition and decolonization, clay is the ground, the container, the frame and the fire where we tell each other our stories, where we rest together and where we slow down
What Ever Happened to Felicia Montealegre?
A distant relative of the wife of Leonard Bernstein looks at her creative and family life, on and off the stage
Lost Classics of Acadian Disco and Rock ’n’ Roll
A tour though a midcentury collection of Acadian music celebrates a unique culture while questioning an archive, one both fortified and fictional
Unfixing Futures
A national survey of artists who imagine otherwise
Trash Intimacies
How do the things we throw away return to us in different forms? How then does art respond to what is disposable, ignored or forgotten?
Body: An Acknowledgement
"You take me beyond flesh and show me what I really am. This is what has always sustained us"