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Between Two Ferns

Between Two Ferns

Why are there so many houseplants in contemporary art? It's the economy, stupid

From the Waterline

From the Waterline

An artist’s first-hand account of the ocean, and everything we put in it

On Heat

On Heat

Rising temperatures may provide a guide for thinking through how the colonial, the racial and the capitalist are deeply—and materially—implicated and intertwined

Focus California at Art Toronto

Focus California at Art Toronto

Mapping landscapes, tracing cultural shifts
 and exploring connections between high art and pop culture, between East and West—these are just some of the themes in Kim Nguyen and Glen Helfand's co-curated exhibition

5 New Galleries at Art Toronto
Patrick Cruz at Art Toronto

Patrick Cruz at Art Toronto

Canadian Art's "psychic boutique” booth and other things to check out at the fair

Our Editors’ Picks for Art Toronto

Our Editors’ Picks for Art Toronto

Metro Toronto Convention Centre October 26 to 29, 2018

Room Temperature

Room Temperature

What demands do artists and artworks put on the air we breathe? It’s time to start thinking of galleries and museums as microclimates

An Enduring Legacy

An Enduring Legacy

On the occasion of a new exhibition of works by John Heward in Montreal, artist Stéphane La Rue reflects on the force and elegance of an artist who takes risks and never looks back

From the Archive

My Work for Maud Lewis

My Work for Maud Lewis

The self-taught artist is the subject of a Hollywood biopic, but my memories of priming her Masonite boards and mailing her tubes of paint are more modest.

A Night in Nunatsiavut

A Night in Nunatsiavut

On October 8, 2016, generations of Inuit came together to shine a light on a region that has been artistically ignored.

On Becoming My Mother

On Becoming My Mother

Vivek Shraya reflects on her photo essay Trisha one year after its release, and on how collaboration can be crucial to “individual” artmaking.