Features
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
Isuma Is a Cumulative Effort
How a collective continues the Inuit tradition of strength and innovation through new media
Generations
An international survey of 10 artists working across media, from traditional to cutting-edge
Aural Cycles
How does time connect us? In this conversation on Inuit throat singing and Sámi yoiking, Niillas Holmberg and Tiffany Ayalik discuss the importance of maintaining cultural autonomy
What the Remai Modern Shakeup Really Means
In the wake of emerging controversies, the future of Saskatoon's flagship contemporary art museum faces some fundamental questions
The Great White Plague
A collection of soapstone sculpture tells the story of how a tuberculosis sanatorium in Hamilton, for a time, became home to the largest population of Inuit outside the Arctic
Getting to Work by Getting Away
Artists’ residencies have become something of a rite of passage, promising escapism and self-improvement in one tidy package—but even in such utopic settings, real life sneaks in
Our Languages Live Within Us
Words affect the way we make, do and think. For Indigenous artists, various types of communication don’t always translate—to English, or to written or spoken language