Features
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
10 Artists Who Use Pleasure to Defy and Subvert
Body alteration, boyfriend tees, and beaded cushions are some of the mediums they work with
What to See in 2019
Our editors round up 2019’s most anticipated exhibitions and events
Hues and Grooves
Black creative texts help us imagine a world outside of racial capitalism and racial violence
Top Reads of 2018
Your five favourite Canadian Art stories from the past year
A Year in Waiting
2018, through the lens of two trips to Vancouver
A Year in NDN Art
Our generation of queer and trans fem creators are sick of working within industry structures of scarcity and cruelty—we just want to make work for the people we love
A Year in Black Art
Concerns about intimacy, world making, security and survival are necessary to considerations of Black life and how we think about work by Black artists
A Year in Motherhood
Sometimes I doubt the value of talking about motherhood and the arts. But listening to some artists who are moms reminds me of the importance of doing so
I Do See Myself
Why the figures in Oreka James’s paintings protect their privacy
Aesthetic Arousal
For our Winter 2019 issue themed on Pleasure, we asked seven artists: which works of art turn you on?