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Reviews

Anish Kapoor

Anish Kapoor

Expectations were high for Anish Kapoor’s latest exhibition, which marked the first time a living artist has been given free rein in the Royal Academy.

Tracey Moffatt

Tracey Moffatt

Virulent exchanges; verbal tango; exotic scenes with coconuts, leis, grass skirts and palm trees...

Steve Higgins

Steve Higgins

Steve Higgins is a man of the city; Ihor Holubizky, curator of this exhibition, calls him an astute “observer/flâneur.”

Tricia Middleton

Tricia Middleton

The title of Tricia Middleton’s installation at the Musée d’art contemporain de Montréal is adapted from Nikolai Gogol’s novel Dead Souls.

The Automatiste Revolution

The Automatiste Revolution

Françoise Sullivan succinctly summed up Quebec’s mid-20th-century revolution in the arts as follows...

Report from Terminal City: More Cowbell on Vancouver Art

Report from Terminal City: More Cowbell on Vancouver Art

Red-jerseyed Olympics fans are lining up across Vancouver for free entrance to decked-out galleries and behemoth corporate party tents. In her second of three reports from Vancouver, Danielle Egan deals with sensory overload, creative competition and raucous art fever.

Monster: The Fear Inside

Monster: The Fear Inside

Outwardly, the group show “Monster” abounds with man-eating demons, hair-pulling ghosts, wart-covered witches and black-tongued sea creatures. But as Robin Laurence observes, the exhibition offers some inner psychological ogres to meditate on as well.

Scott Rogers: Tron, McLuhan and the Space Between

Scott Rogers: Tron, McLuhan and the Space Between

Using lines of photo-luminescent tape in a darkened space, Scott Rogers’ installation Wireframe evoked retro-futurist imagery of the 1980s. Now, Mikhel Proulx reflects on how Rogers effectively mashed up real place and time with its representation.

Vancouver Report: Let The Art Games Begin

Vancouver Report: Let The Art Games Begin

Nerves are jangling in Vancouver, a city under siege from red-mitted tourists, international media, corporate brands and fighter jets, among other forces. Danielle Egan delivers her first report in a series of three from a metropolis where the games are, on many fronts, just beginning.

The New Art Gallery of Alberta: Honour, Horror and High, High Ceilings

The New Art Gallery of Alberta: Honour, Horror and High, High Ceilings

Alberta’s abuzz with the opening of the redesigned Art Gallery of Alberta, including its inaugural Janet Cardiff and George Bures Miller show. As Diana Sherlock reports, there’s some fear and loathing set loose amidst the museum’s new, and quite laudable, finery.