Reviews
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
On Charles Campbell and the Underrepresentation of Caribbean Art in Canada
The Jamaica-born, Victoria-based artist has shown at the Brooklyn Museum and Pérez Art Museum Miami—but only recently had his first Vancouver solo show
Rock, Paper, Scissors: “Custom Made” Review
Wrapping, with beadwork and basketry, recurs throughout the Kamloops Art Gallery's “Custom Made/Tsitslem te stem te ck’ultens-kuc.” Michael Turner reviews.
The Particular Horrors of the AGO’s “Camera Atomica”
"Camera Atomica" at the Art Gallery of Ontario deftly handles disaster images, translating the anxieties of a previous generation into the present day.
“Picturing the Americas”: An Incomplete Image at the Art Gallery of Ontario
"Picturing the Americas" at the AGO assembled a diverse group of landscape paintings, but only offered part of a complex story. Christine Boyanoski reviews.
Review: Public Studio Turns Images into Witnesses at O’Born Contemporary
In Public Studio's recent exhibition, the collective toyed with history, making idiosyncratic connections between objects. David Balzer reviews.
Rodin Revisited at the Montreal Museum of Fine Arts
The Montreal Museum of Fine Arts provides an interior look into the studio of Modernism's sculptural bellwether, Auguste Rodin. Rosie Prata reviews.
“Playlist” Review: Online but Unavailable at Galerie Antoine Ertaskiran
“Playlist" at Galerie Antoine Ertaskiran in Montreal offers a notably, thought not unexpectedly, indifferent group exhibition. Nancy Webb reviews.
Wendy Coburn at the Justina M. Barnicke Gallery
“Wendy Coburn: Anatomy of a Protest” was an in-depth examination of footage from the 2011 SlutWalk in Toronto. Daniel Joyce reviews.