Himalayan peaks meet Queen West sidewalks in Althea Thauberger’s latest Toronto installation, where a massive, billboard-sized image shows Kashmiri actors staging King Lear. In this interview with Bryne McLaughlin, Thauberger discusses the work’s making and meaning.
As part of his latest project, Vancouver artist Samuel Roy-Bois posted an ad promising a rent-free apartment in Canada’s most heated real-estate market. Now, he chats with Bryne McLaughlin about the results.
This week, a new documentary on Marina Abramović had its Canadian premiere at the Reel Artists Film Festival in Toronto. In this interview with Leah Sandals, Abramović talks about the film, fundamental beliefs and future plans.
Last week, National Gallery of Canada director Marc Mayer gave public talks in Toronto and Winnipeg on an oft-controversial arts topic: taxpayers’ money. Here, in follow-up interview with Leah Sandals, he discusses what he’s like to do with the gallery’s budget in the future.
N.E. Thing Co.’s Eye Scream was a restaurant/artwork opened in 1977 in Vancouver. It closed after a year and a half, but its legacy lives on in an IAIN BAXTER& retrospective in Chicago. Here, Mark Clintberg speaks with BAXTER& about the project.
Poetics, politics and paradox multiply in the work of India’s Raqs Media Collective, which has gained wide international attention in the past decade. Last week, as its latest exhibition opened in Toronto, Raqs’ Shuddhabrata Sengupta sat down to chat with Bryne McLaughlin.
Though Toronto’s Nuit Blanche is often a jubilant celebration, it's shadowed this year by the threat of municipal arts funding cuts. In this interview, programming manager Julian Sleath talks with Leah Sandals about the context and content of this Saturday’s fest.
The new director of Vancouver’s Contemporary Art Gallery makes an ambitious debut this week with a trio of exhibitions that challenge the institution’s image as it celebrates its 40th birthday. Now, David Balzer asks Nigel Prince about this unusual move.
With the Toronto International Film Festival launching this week, movie madness is gripping the city. But it’s not just about popcorn flicks; the fest’s also got Wavelengths, an experimental program. Here, Bryne McLaughlin explores its highlights with TIFF’s Andréa Picard.
Aganetha Dyck has made work with honeybees a hallmark of her multidisciplinary career, which encompasses sculpture, drawing and photography. In this interview with Tess Edmonson, Dyck discusses her current show at Confederation Centre Art Gallery, which literally brings her co-workers into the gallery space.