"Ineffable Plasticity" installation view with Faith La Rocque’s Salt Ramp with Celestial Children in foreground and Anders Oinonen’s Nevereververerr and Sherri Hay’s What dreams became amongst our accumulated daylight<
In this excerpt from her new memoir, influential artist Gathie Falk describes her early childhood, her first art lessons, and why she dropped out of school.
Aruna D'Souza's forthcoming book Whitewalling: Art, Race & Protest in 3 Acts reviews three incidents in the long and troubled relationship between race and the art world.