Features
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
No More Words, Words, Words
For both Hanne Darboven and Madeline Gins, a kind of personal mathematics became a method of reading and writing their art
An Alchemy of Remains
Azza El Siddique’s sensory environments are part scientific process, part aesthetic ecosystem
Core Desires, Counter Prospects
New Mineral Collective finds alternatives to mining, through pleasure and passive resistance
What to See in 2020
We’re starting a new year and a new decade—here are just some of the upcoming exhibitions, biennials and projects on our must-see lists
Searching for the Language of the Universe
What happens when physicists and artists collaborate on some of science’s biggest questions? A unique project reveals surprising affinities
Three Takes on Cindy Sherman
Artists and art historians reflect on works from Sherman’s retrospective at the Vancouver Art Gallery
A Black Curator Is Never Just a Curator
The Black Curators Forum, the first of its kind in Canada, was a safe space for serious discussion about structural change—and it was also fun
Bending the Light
A national survey of 10 artists who are reforming material practice
The Politics of Sensing
A two-part exhibition at the Blackwood Gallery reflects on how we collect information about the world, through both the senses and technology
“Àbadakone” Creates Community
When Indigenous artists gathered at the National Gallery of Canada, something significant happened