Features
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
In the Atmosphere
On January 20, 2021, Jill Biden highlighted a Robert S. Duncanson painting at the US inauguration reception. Find out about Duncanson’s years in Montreal and connections with Canadian artists in this story from our Fall 2020 issue, “Chroma”
Gambletron’s Technical Submission
With equal parts chance and skill, a career experimenter orchestrates the perfect conditions for chaotic harmony
Expanding Access: An Interview with Michelle Jacques
As Jacques embarks on a new position as Remai Modern’s New Head of Exhibitions and Collections/Chief Curator, she looks back at her achievements at the Art Gallery of Greater Victoria
Five Projects to See at Vancouver’s Capture Photography Festival
A few outdoor and indoor art picks for the festival, which runs April 2 to 30
The Vibrational Effects of Indigenous Burlesque
Performers find ways to celebrate Indigenous sexual expression through visual storytelling
Circular Logics
A national survey of artists who build worlds beyond the visible, from the Frequencies issue
Queer Inuit Art
Contemporary Inuit art exhibition "INUA" is the most openly queer and inclusive Inuit art exhibition to date
Practising the Unattainable
Indigenous dream-world data, temporal spirals and technologies to come—a poet and performer talks to an artist and composer about transformative ways of tuning in
The Angel’s Share
Rae Johnson‘s angels catalogue the passage of a body through time
Listening in Reciprocity
The natural world invites us into the indescribable yet intimately heard—what does it mean to move beyond hearing and truly listen?
How To Not Disappear
The importance of Chinatown and Chinese Canadian art history in a time of anti-Asian violence and a re-emerging Yellow Peril