Fire at Sea: Charles Codman’s The Burning of the Royal Tar

by Richard Rhodes

Moving in Place

Contemporary dance in Canada has long been defined by lack of space and funding. But this has also resulted in unconventional, and resourceful, works.

by Fabien Maltais-Bayda

Hajra Waheed Traces a Rising Tide in Venice

In the middle of the Central Pavilion at the Venice Biennale, Montreal artist Hajra Waheed has built another world—and marked a return to painting.

by Caoimhe Morgan-Feir

Lani Maestro Bridges Boundaries at the Venice Biennale

Once a Halifax art professor, now a Venice Biennale exhibitor, Lani Maestro reminds viewers that "categories are not that important; consciousness is."

by Leah Sandals

Geoffrey Farmer in Venice: A First Look

Geoffrey Farmer's moving, personal installation at the Canada Pavilion confronts personal and national histories through the metaphor of water.

by Rosie Prata

The Canada Pavilion, One of the Venice Biennale’s Most Intriguing Artworks

A look back at the history of the “notoriously inhospitable,” often under-appreciated and soon-to-be-restored Canada Pavilion in Venice.

by David Michon

9 Canadian Connections at the Venice Biennale

This could be one of Canada’s most significant years in terms of presence at the prestigious Venice Biennale. Here are some of the projects to know about.

Inside a Year-Long Experiment in Indigenous Institutional Critique

Over one year, these Indigenous artists test the limits of Indigenization and reconciliation, searching out new ways to relate to settler institutions.

by John Hampton and the Wood Land School

Petra Collins, Homecoming Queen

The Toronto-born artist has shown installations at the MoMA and been featured in Vanity Fair, but just opened her first Canadian solo show last weekend.

by Caoimhe Morgan-Feir

11 Projects to See at the Contact Photography Festival

Found photos, urban bouquets, decolonial interventions and much more—here’s what to catch at Toronto's month-long, city-wide event.