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May we suggest

Winter 2012
Winter 2012/2013

On newsstands December 15, 2012 to March 14, 2013

Features

Lenscraft
Jessica Eaton asks us to think about how we see
by Gabrielle Moser
Online Exclusive: Jessica Eaton Portfolio
Gaze Chaser
Emanuel Licha explores the optics of war
by Bryne McLaughlin
Online Exclusive: Emanuel Licha Portfolio
The Way Things Are
Fred Herzog’s art of observation
by Timothy Taylor
Online Exclusive: Fred Herzog Portfolio
A Maker of Change
The many identities of Suzy Lake
by Bill Clarke
Notes on Demand
A curator reflects on DHC/ART’s new Thomas Demand exhibition
by John Zeppetelli
Portraits and Tactics
The photographs and video works of Emmanuelle Léonard
by Véronique Leblanc
Time Play
William Eakin and the art of remembrance
by Robin Laurence
Black and White
The Ryerson Image Centre and the Black Star Collection
by Daniel Baird
Prints of Darkness
Robert Burley and the end of film
by Michael Mitchell
Online Exclusive: Robert Burley Portfolio

Smart Guide: Art Schools & Photography

Instructors from Coast to Coast Define their Practices
Hot Jobs in the Field
A Survey of Top Photo Programs Across Canada

 

 

Agenda

A national and international roundup of the season’s best exhibitions

Readings

Recent art books and catalogues

Faces

Robert Landau: Modern Passion
by André Seleanu

Places

Louis Vuitton: Art and Leather
by David Balzer

Legacy

William Notman: St. Anne Falls
by Dennis Reid

Reviews

Shannon Oksanen and Valérie Sonnier
by Michael Turner
Kim Dorland
by Richard Rhodes
Nairy Baghramian
by Dion Kliner
Jennifer Murphy
by Kyla Brown
Jeanie Riddle
by Isa Tousignant
Howie Tsui
by Christine Conley

Backstory

Marshall McLuhan: Art Critic and Friend
by Scott McGovern

Winter 2012/2013