Winter 1991
On newsstands December 15, 1991 to March 14, 1992
Volume 8, Number 4
Features
Disobeying Order
Facing hundreds of years of painting's history, Joanne Tod is acting up
By Bruce Grenville
Homeship/Faux Terrain
Gary Dufour makes contact with Gary Pethick's latest creation
I Knit, Therefore I Am
German artist Rosemarie Trockel gives an ironic twist to the notion of women's work
By Nancy Spector
History and Real People
Curator Rosemary Donegan challenges the way exhibitions, and history, are experienced
Interview by Nancy Tousley
Essays
Chris Columbus Go Home The native/white dynamic is redefined in Black Robe and Clearcut By Jay Scott The Postmodern Catechism Why art criticism is so hard to read By Walter KlepacFast Forward
A cross-Canada guide to exhibitions and events in the artsReviews
International Exhibitions Places with a Past: New Site-Specific Art in Charleston By Bruce Ferguson Passage de l'image By Regina Cornwell Exhibitions in Canada Montreal: Les Cents jour d'art contemporain By George Bogardi Kingston: Sarindar Dhaliwal By Gillian MacKay Calgary: Alan Dunning By Nancy Tousley Halifax: Nancy Edell By Cliff Eyland Toronto: Regan Morris By Betty Ann Jordan Toronto: André Kertész By Murray Pomerance Saskatoon: Patrick Traer By Bruce Grenville Books Jeanne Randolphe's Psychoanalysis and Synchronized Swimming By Susan Walker Cover: Joanne Tod, Disobeying Order, 1991, Oil on canvas, Four panels, overall dimensions: 10.2 x 9.7 ft. Photo: Jim Jardine. Courtesy: Carmen Lamanna Gallery.
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