Fall 2005
On newsstands September 15 to December 14, 2005
Volume 22, Number 3
Features
Bastard Offspring of the Photoconceptualists
The shaggy social-realist vernacular of the internationally emerging Vancouver artist Steven Shearer
by Deborah Campbell
Surprising Sharjah
A Canadian artist doubles as curator in a first-hand report from a growing Gulf state biennale
by Ken Lum
The Shape of Colour
The Art Gallery of Ontario reclaims the vivid history of modern painting in David Moos's first major test as curator
by Robert Linsley
Pacific Prison
A veteran Montreal artist is touched by the long arm of the law on Easter Island
by Bill Vazan
The Visible Man
From Vancouver to Basel: the famed Canadian photographer Jeff Wall on the eve of his biggest show ever
by Murray Whyte
MOMA's Moment
The new Museum of Modern Art has work to do
by John Bentley Mays
Report
The Linden School by Kimberley NobleSpotlight
Sponsored by the Fraser Elliott Foundation in memory of Betty Ann Elliot Kent Monkman by David LissFast Forward
A Canada-wide guide to the season's best exhibitionsGutenberg Galaxy
Books on the visual artsCanadian Art International
Anton Henning by Laurel MacMillan Edgar Martins by Terri WhiteheadRewind
The Mr. Peanut Mayorality Campaign of 1974 by Allan Antliff Monica Tap/Nick Ostoff by Marshall Webb Christian Kuras by Vanessa Kwan Vera Greenwood by Emily Falvey Kristine Moran by Randy Gladman Donigan Cumming by Carla Garnet John Hartman by Christopher Willard Luis Jacob by David Balzer Barbara McGill Balfour by Caroline Seck Langill Dedicated to You, But You Weren't Listening by Leah Sandals Ann Course by Wojciech Olejnik Lorna Simpson by Sascha Hastings Eva Brandl by Yvonne Lammerich Etienne Zack by Séamus Kealy Cover: Steven Shearer, HASH, 2004, oil on linen, 45.7 x 35.5 cm, private collection, Naples, Italy
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