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R.M. Vaughan discusses his new book, which traces the increasing prevalence of insomnia and argues that it is affecting our health and our art.

Video works by Marlène Renaud-B., now on view at La Centrale in Montreal, resonate with reflections on power and its abuses, RM Vaughan writes.

There is a poignancy inherent in Centre A’s current exhibition “To|From BC Electric Railway 100 Years,” inspired by the building that houses the gallery—previously the hub of the region’s…

“You don’t have to be skinny or blonde or sing in English or French, and you can stand by what you want to do and what you want to say,” said Lido Pimienta.

R.M. Vaughan meets up with Drew Simpson in Berlin to discuss his work and the looming change that will irrevocably alter his painting.

We asked some notable artists, curators, writers and gallerists what they’d like to see and do, or not see and do, in 2016. Here’s what they told us.

The Winter 2016 issue of Canadian Art hits newsstands across the country this week. Here are the highlights.

R.M. Vaughan talks with Berlin-based artist Skyler Braeden Fox about his debut film work, a charming and playful piece about trans identity.

Lorna Mills’s GIF art pulls images from the non-professional Internet, carefully choreographing strange, often perverse, works. Simon Lewsen reports.

Benny Nemerofsky Ramsay takes a puckish stance in his audio guide at POLIN in Warsaw, offering a potent mix of fact and fiction. R.M. Vaughan reviews.