Skip to content

May we suggest

Features / May 13, 2013

Video: Yishu Editor Zheng Shengtian on the Rise of Contemporary Chinese Art

The Vancouver-based scholar, curator, artist and writer reveals what he has learned at the Shanghai Biennale, Vancouver Biennale, China Academy of Art and elsewhere.
Scholar, critic, curator and artist Zheng Shengtian lecturing at the Glenbow Museum in Calgary Scholar, critic, curator and artist Zheng Shengtian lecturing at the Glenbow Museum in Calgary

On April 18, 2013, Zheng Shengtian, managing editor of Yishu: Journal of Contemporary Chinese Art gave the lecture “From Cultural Revolution to Avant-Garde: The Rise of Chinese Contemporary Art” at the Glenbow Museum in Calgary.

Yishu Editor Zheng Shengtian On The Rise Of Contemporary Chinese Art from Canadian Art on Vimeo.

The talk was part of the Asia Contemporary Speaker Series, a partnership between the Canadian Art Foundation and the Asia Pacific Foundation of Canada‘s National Conversation on Asia and its sponsors.

Zheng Shengtian is a scholar, artist and independent curator. For more than thirty years, he worked at China Academy of Art in Hangzhou as professor and chair of the oil painting department. He was a co-founder of Centre A (Vancouver International Centre for Contemporary Asian Art) and currently is a trustee of Vancouver Art Gallery. He has been a member of the academic committee for the Shanghai Biennale since 1998 and was a co-curator of the 4th Shanghai Biennale in 2004.

Zheng has organized numerous exhibitions, including “Shanghai Modern” at Villa Stuck, Munich, in 2004 and “Art and China’s Revolution” at Asia Society, New York, in 2009. He is the senior curator of Asia for the 2013–2014 Vancouver Biennale, just as he was for the 2009–2011 edition. He is also a frequent contributor to periodicals and catalogues about contemporary Chinese and Asian art. As an artist, his artwork has been shown in China, the United States and Canada since 1960s.

The Asia Contemporary Speaker Series explored the rise of Asia on the international scene as one of the most compelling stories in contemporary art. Provocative artworks command ever-higher prices as markets expand, and impressive new museums, schools and biennials continue to proliferate. Hong Kong, Singapore, Dubai, Tokyo and Beijing have established themselves as major art-world hubs, competing directly with London and New York. In order to understand this phenomenon and its connection to global movements of economic and political power, the Asia Contemporary Speaker Series brought five recognized leaders in the field to speak in cities across Canada in 2012 and 2013.

Other talks in this series included Ai Weiwei curator Mami Kataoka discussing contemporary art in Japan; Ullens Center curator Philip Tinari on China’s newest generation of artists; Asia Art Archive chair Jane DeBevoise on Hong Kong’s cultural scene; and the Guggenheim Foundation’s Vishaka N. Desai on Asian art in global context.