Canadian Art

Jed Lind: New Romanticism Redux

Jed Lind <i>Capsized Dreamers</i> 2005 Courtesy Jessica Bradley Art + Projects Jed Lind Capsized Dreamers 2005 Courtesy Jessica Bradley Art + Projects

Jed Lind <i>Capsized Dreamers</i> 2005 Courtesy Jessica Bradley Art + Projects

Jed Lind’s art practice channels concerns around human ingenuity, romantic idealism and diminishing environmental resources into affecting sculptures, photographs and installations. In “Navigating Time,” an essay for the fall 2009 edition of Canadian Art, artist and writer Robert Fones investigates the fusion of these ideas in Lind’s oeuvre. This special online supplement provides 10 images that elaborate Lind’s cohesive body of work.

Page 2 »
This article was first published online on September 10, 2009.


  • Jed Lind: Starlight and Water

    Los Angeles artist Jed Lind is inspired by everything from Buckminster Fuller’s utopian legacy to the provisional architecture of coastal societies. In this brief video, Canadian Art editor Richard Rhodes offers his thoughts on Lind’s current solo show in Toronto.



[an error occurred while processing this directive]


  • Janet Cardiff and George Bures Miller: Black Birds

    New York critic Joseph R. Wolin heads to the Park Avenue Armory where Janet Cardiff and George Bures Miller are creating a buzz (and other sounds) at the US premiere of a dark, nightmarish installation originally created for the 2008 Biennale of Sydney.

  • Grange Prize 2012: Hot Shots

    One of Canada’s largest cash-value art prizes—$65,000 in total with $50,000 going to the winner, $5,000 to three runners-up—announced its finalists this week. Take in their wide-ranging works in this slideshow.

  • Wanda Koop: Into the Woods

    A visit to Wanda Koop’s cabin near Riding Mountain National Park in southern Manitoba proves intriguing for Vancouver critic Robin Laurence. There, Laurence writes, Koop bridges old Grey Owl myths with a new series of paintings on our increasingly digital culture.

  • Brad Tinmouth: Survival Strategies

    The basement of an art gallery may seem an unlikely place to create an emergency shelter. However, Xpace's lower gallery is an ideal setting for Brad Tinmouth's “If Times Get Tough or Even If They Don't,” which evokes a cold-war bunker.

  • Wim Delvoye: Blame it on Paris

    Silk-covered pigs, lattice-cut car tires and a tattooed man are just a few of the works that Belgian artist Wim Delvoye has shuttled into the old, Gothic wing of the Louvre this summer. Jill Glessing reviews, finding a terrific amalgam of high and low.

More Online

Report a problem