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Canadian Art

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  • See It19.07.2012

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    Emily Vey Duke & Cooper Battersby: A Place for Everything

    Emily Vey Duke and Cooper Battersby’s “Pain Shall Be No More,” is a mini-retrospective of sorts, following a “difficult last few years” that included a “midlife crisis” as the artists turned 40. According to Duke, they questioned “whether or not we wanted to keep making art anymore.” The answer was yes. David Balzer reports on their new show.
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  • See It19.07.2012

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    Scott Rogers: Perpetual Returns

    This summer the currently Glasgow-based artist Scott Rogers brings the eccentric author and adventurer Jan Welzl’s legacy back to life with “Meanders Into Nonesuch Place,” an installation that celebrates the Moravian-born, Dawson City locksmith Jan Welzl (1868–1948), who has been described as a “traveller, adventurer, hunter, gold-digger, Eskimo chief and Chief Justice in New Siberia.”
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  • Reviews19.07.2012

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    Native American Modernism: Art and Artifact

    The Berlin Ethnologisches Museum contains more than 500,000 objects from pre-industrial societies the world over. Its exhibition “Native American Modernism” marks the first time an exhibition drawn from this collection has been featured on its own. Michael Turner reports.
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  • See It19.07.2012

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    Tom Wesselmann: Power Pop

    One of the unsung heroes of the American Pop movement gets his moment in the sun this summer in the long-overdue Tom Wesselmann retrospective “Beyond Pop Art” now on view at the Musée des beaux-arts de Montréal.
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  • Features19.07.2012

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    Nigel Prince: Taking Charge

    During art school, Nigel Prince played bass guitar. Now, the formerly UK-based curator keeps the rhythm going as executive director of Vancouver's Contemporary Art Gallery. In this current-issue feature, Hadani Ditmars hears out his plans for the space.
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  • Online19.07.2012

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    Full Opening & Event Listings

    Dozens of openings, talks and other events happening from coast to coast this week, July 19 to 25, 2012.
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  • Reviews12.07.2012

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    The 18th Biennale of Sydney: Canadian Gold

    The 18th Biennale of Sydney is co-curated by a Canadian and features roughly a dozen others. In this review, Alberta artist and curator Tanya Harnett picks the show highlights, concluding that our nation—and First Nations—are very well represented.
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  • Reviews12.07.2012

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    Common Ground: Hole-in-One

    Minigolf doesn’t usually come to mind when thinking about public art. But Cambridge Galleries curators revamp the game in “Common Ground,” a nine-hole course featuring Derek Liddington, PLANT Architect and other creatives. Ashley McLellan reviews.
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  • See It12.07.2012

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    Kara Uzelman & Jeffrey Allport: Sounding Saskatchewan

    Following successes in Vancouver and Berlin, rising Canadian artist Kara Uzelman and partner Jeffrey Allport relocated late last year to the tiny town of Nokomis, Saskatchewan. Here, Uzelman talks about the move and the duo’s current AKA Gallery show.
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  • Features12.07.2012

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    Ingrid Z: Serious Fun

    Ingrid Z, co-founder of Toronto's pioneering, early 2000s West Wing Art Space, recently opened a gallery in London's Hackney neighbourhood. In this feature from our current issue, critic R.M. Vaughan visits for tea and gets Z's views on Canadian art abroad.
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  • Features12.07.2012

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    Shelf Life: Our Summer 2012 Reading Picks

    Summer reading is an art activity with its own particular, portable pleasures. Whether you’re headed to the beach, the cottage or simply the backyard, here are the picks to pack this season.
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  • Online12.07.2012

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    Full Opening & Event Listings

    Dozens of openings, talks and other events happening from coast to coast this week, July 12 to 18, 2012.
    Continue reading this article...


  • Features05.07.2012

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    Kitty Scott: A Return to Ontario

    The Art Gallery of Ontario has announced Kitty Scott as its new curator of modern and contemporary art, starting this fall. Here, Scott chats with David Balzer about her upcoming move to Toronto and her recent experiences at dOCUMENTA (13) and the Banff Centre.
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  • Reviews05.07.2012

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    Dreamland: Weaving the National Imagination

    An ability to think outside the box defines “Dreamland,” a new exhibition on cloth and the Canadian landscape at the Textile Museum of Canada. As Gillian MacKay writes, poetic pairings of traditional and contemporary make “Dreamland” a must-see.
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  • Reviews05.07.2012

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    Summer Special: A Sign of the Times

    Honest Ed's is a time warp. The bright fluorescent lights, hand-painted signs and cluttered decor create an atmosphere set in the past. Yet “Summer Special” transforms the Toronto institution into a contemporary-art scavenger hunt. Ashley McLellan reviews.
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Page Not Found - Canadian Art
CURRENT ISSUE | FALL 2014
SPECIAL ISSUE: 30 YEARS
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SPECIAL ISSUE: 30 YEARS
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  • Janet Cardiff and George Bures Miller: Black Birds

    New York critic Joseph R. Wolin heads to the Park Avenue Armory where Janet Cardiff and George Bures Miller are creating a buzz (and other sounds) at the US premiere of a dark, nightmarish installation originally created for the 2008 Biennale of Sydney.

  • Grange Prize 2012: Hot Shots

    One of Canada’s largest cash-value art prizes—$65,000 in total with $50,000 going to the winner, $5,000 to three runners-up—announced its finalists this week. Take in their wide-ranging works in this slideshow.

  • Wanda Koop: Into the Woods

    A visit to Wanda Koop’s cabin near Riding Mountain National Park in southern Manitoba proves intriguing for Vancouver critic Robin Laurence. There, Laurence writes, Koop bridges old Grey Owl myths with a new series of paintings on our increasingly digital culture.

  • Brad Tinmouth: Survival Strategies

    The basement of an art gallery may seem an unlikely place to create an emergency shelter. However, Xpace's lower gallery is an ideal setting for Brad Tinmouth's “If Times Get Tough or Even If They Don't,” which evokes a cold-war bunker.

  • Wim Delvoye: Blame it on Paris

    Silk-covered pigs, lattice-cut car tires and a tattooed man are just a few of the works that Belgian artist Wim Delvoye has shuttled into the old, Gothic wing of the Louvre this summer. Jill Glessing reviews, finding a terrific amalgam of high and low.

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Page Not Found - Canadian Art
CURRENT ISSUE | FALL 2014
SPECIAL ISSUE: 30 YEARS
Current Issue Cover

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Page Not Found - Canadian Art
CURRENT ISSUE | FALL 2014
SPECIAL ISSUE: 30 YEARS
Current Issue Cover

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Page Not Found - Canadian Art
CURRENT ISSUE | FALL 2014
SPECIAL ISSUE: 30 YEARS
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