CURRENT ISSUE | FALL 2017: THE IDEA OF HISTORY
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The Art of Travel: A Trip to the 2001 Venice Biennale

“Well, in our country,” said Alice, still panting a little, “you’d generally get to somewhere else—if you ran very fast for a long time as we’ve been doing.”

“A slow sort of country!” said the Queen. “Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!”–Through the Looking-Glass and What Alice Found There

I like the weight of trains and the feel of that weight lifted into speed against the resistance of the rails. I like train stations the way I like public squares, as natural meeting places melting effortlessly into the streets of the cities at the far reaches of my imagination. That is why I like carrying my own bags along the platform and up into the carriage. I like the fact that my friends can stand outside and remain with me to wave goodbye as I settle into my seat. And as the doors close and I feel track and train merge into motion, I can watch as buildings, then fields, roads, forests pass like living stage sets on either side.

So begins our Fall 2001 cover story. To keep reading, view a PDF of the entire article.

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